Musikinstrumenter

Here is a very nice pair of passive speakers with 15 inch woofers with a horn. In very good condition. Let’s face it. They’re worth more and I’m basically giving them away, but I don’t use them anymore and hopefully someone can find a good use for them.

We scaled down our living space, so I have to let go of some solid gear that I hate to part with… but to be fair I can only play so much at one time. 🙂 I’m a player more than a collector - these represent some of the best-sounding and best value stuff out there, not pristine guitars you hang on the wall… I just have others I prefer slightly more (generally Japanese telecasters, my Kemper Profiler Stage, and some modded Buddas I have)... Pickup in Saugerties - Cash/Venmo or Paypal (if you cover the fees) A bunch of stuff sold, so basically I have a bunch of amps left THE LIST (scroll down for more details, the prices up here are the most up to date) Guitars: * Fender Squier Custom Telecaster w/Seymour Duncan Designed P-90s Black - $400 Amps: * Mesa Boogie Subway Rocket Reverb - $750 * Mesa Boogie Mini Rectifier Head - $1200 * Budda Superdrive v20 1x12 Combo - $750 * Budda Baby Budda Head (Twinmaster) - $1000 ACCESSORIES * (2) Pedaltrain Pedalboards (mini & nano) - $50 each - like new with velcro on, and case * VHT Pedalboard - VHT Amplification AV-PB1 Small 19x8 Guitar Effect Pedalboard & Bag * Ghost Fire Guitar Pedal Board (20 x 12) w/ carrying case - $40 - basically new * Heavy duty combo amp stand (metal/folding) * Guitar Straps (multiple, different designs) * Mono Tick Gear Case (works incredibly well with mono gig bags) MORE DETAIL ON EACH HERE: —----------------------------------------------- * Fender Squier Custom Telecaster w/Seymour Duncan Designed P-90s Black - $400 —----------------------------------------------- This isn’t your average Squier. It’s a Custom Tele outfitted with a pair of Seymour Duncan-designed P-90s — pickups known for their punch, growl, and raw clarity. Perfect for gritty rock, soulful blues, or anything that needs edge and bite. The guitar is in solid shape with normal playwear — a few surface scratches and dings (see pics), but nothing that affects tone or playability. Frets and neck are in excellent condition, plenty of life left, and it’s currently set up to play great right out of the case. If you’re looking for a Tele with attitude and versatility at a killer price point, this is it. —----------------------------------------------- Mesa Boogie Subway Rocket Reverb —----------------------------------------------- One of the lightest boogies they ever made, and still sought after! The Mesa Boogie Subway Rocket Reverb is a 2-Channel all-tube 20-Watt 1x10 Guitar Combo. They were produced in Petaluma, California from approximately 1998-2000. Powered by 2x EL84 power tubes with 4x 12AX7 preamp tubes, running through a ten inch Mesa Boogie Black Shadow speaker. This amp includes the 3 position Boogie footswitch for Rhythm, Lead, and Contour. Both channels have independent gain and master volume controls. Bass, Middle, Treble, Presence, and Spring Reverb are shared. Additional Features include Parallel FX loop with Mix control, Record/Headphone Out, and a Silent Record Mute switch. Has definitely been used, but I had it checked out by one of the top amp builders on the east coast, and everything checks out. —----------------------------------------------- * Mesa Boogie Subway Rocket Reverb - $750 —----------------------------------------------- One of the lightest and coolest Boogies Mesa ever made — compact, loud, versatile, and still sought after for good reason. The Mesa Boogie Subway Rocket Reverb is a 2-channel, all-tube 20-watt 1x10 combo, made in Petaluma, California. It runs on 2 EL84 power tubes with 4 12AX7 preamp tubes, through a 10 Mesa Boogie Black Shadow speaker. This is a lot of amp in a very manageable package. Great cleans, classic Mesa gain, spring reverb, and the Contour mode gives it that bigger, more aggressive Boogie voice when you want it. It includes the 3-position Boogie footswitch for Rhythm, Lead, and Contour. Features include: * 20 watts, all tube * 1x10 Mesa Boogie Black Shadow speaker * Rhythm and Lead channels * Contour mode * Spring reverb * Shared Bass, Middle, Treble, Presence, and Reverb controls * Independent Gain and Master controls for each channel * Parallel FX loop with Mix control * Record/Headphone Out * Silent Record Mute switch * Original Mesa 3-button footswitch included This one has definitely been used, but I had it checked out by one of the top amp builders on the East Coast and everything checks out. It sounds killer and is a great grab-and-go Mesa for home, studio, rehearsal, or small gigs. —----------------------------------------------- * Mesa Boogie Mini Rectifier Head - $1200 —----------------------------------------------- Like new condition. This is the Mesa Boogie Mini Rectifier Twenty-Five head — the smaller, lighter, more manageable version of the legendary Rectifier sound, but still very much a real Mesa. If you want huge high-gain rock tones without dragging around a giant head, this is the sweet spot. It’s a 25-watt, all-tube amp head with switchable power options, multiple voicings, and way more flexibility than people sometimes expect from a Rectifier. It can do aggressive modern gain, classic rock crunch, surprisingly nice cleans, and lower-volume playing much better than the big Rectos. Great for recording, home playing, rehearsals, and gigs where you want real amp feel without a huge rig. Features include: * 25 watts, all tube * Compact lunchbox-style head * Switchable wattage for more usable volume control * Two channels with multiple voicing options * Classic Mesa Rectifier gain and punch * Big low end and tight modern rock tones * Great recording amp * Very portable * Like new condition If you know the Rectifier sound but don’t want the size, weight, or stage volume of the larger heads, this is a killer option. It’s also a great match with a 1x12 or 2x12 cab and takes pedals well. —----------------------------------------------- * Budda V20 Superdrive 1x12 Combo - $850 —----------------------------------------------- One of the legendary lines, with preamps built by Dave Friedman (yes, that Dave Friedman, before he became famous) and power sections built by Jeff Bober (yes, the Amp Man columnist). From Bonamassa to Leslie West to countless others, they use SuperDrives for a reason. The V20 has a huge range of sounds, well thought-out controls and it sounds terrific. The master volume is a great success, controlling output level without making the tone fizzy and gutless. It may look like a boutique blues amp, but the V20 is more of a wolf in two-tone tolex. * Power Output: 20W * Exclusive Dual Class, Hot Bias Preamp * 3x 12AX7 Preamp Tubes * 2x 6V6 * Number of Channels: 2 * Tubes (Poweramp): 2x 6V6 * 1x 5u4 Rectifier * Custom-Wound Transformer with 4/8/16 Ohm Switch * Rhythm & Drive Level Controls * 3-Band EQ * Pull Mid Knob for Vintage Mid Scoop * Effects Loop * Slave Output with Level Control in Parallel with Power Section * Point-to-Point Hand Wired Power Section * Multiple Speaker Outputs * Brite Control * Speaker Connection: 4, 8, 16 Ohm * Country of Origin: USA —----------------------------------------------- * Baby Budda Head - Twinmaster circuit - $1125 —----------------------------------------------- The Budda Twinmaster changed the world and basically began the boutique amp revolution - this is the baby head version of that circuit, and it rocks. Like new condition, with the original box. Budda Amplification® was born on the premise that 18 watts could change the world. That legacy has grown into a full line of hand-made boutique guitar amplifiers, enclosures and effects, but we havent forgotten our roots. The newest addition to the family, the Baby Budda™, encapsulates more than a decade and a half of Budda tone in a dynamic amplifier with an incredibly straightforward format. The lunchbox-style Baby Budda amplifier head squeezes a wealth of tones between its intuitive Bass, Treble and Volume controls and Normal and Hi Gain inputs. With the Baby Budda, fewer controls means more control at your fingertips: the lively interplay between a guitars output, pickups and volume control and the amplifiers two inputs gives players a wide tapestry of gain and tone to keep the inspiration rolling. The Baby Budda features a hybrid layout that combines a brass-eyelet board hand-wired 12AX7 preamp and an 18-watt, point-to-point hand-wired EL84 power amp with a 5U4 rectifier. The Baby Buddas simple, plug&play feature set is augmented by two inputs--Normal and Hi Gain--that feed separate tube stages for a multitude of gain characteristics. An A/B box can be employed to switch between the two inputs, adding another dimension to the Baby Buddas versatility. The Baby Budda is housed in a metal chassis and includes a 4-ohm/8-ohm output switch for connecting loudspeaker enclosures, as well as an Effects Loop. An onboard Slave Output contains the full complement of preamp and power amp characteristics of your amp, and is connected in parallel to the speaker outputs. The Slave Output sends a padded, non-powered signal that can be used as a direct output for live or studio recording, or to send the signal to a power amplifier connected to additional speaker cabinets to make the amplifier even louder. Try the Baby Budda with 1 open back 112 and 1 closed back 112 enclosure to experience our recommended setup! Features * Two high-grade 12AX7 preamp tubes * 5U4 rectifier tube * Class AB power section * Cascading preamp design * Two high-grade EL84 power tubes * 4/8-ohm impedance switch * Normal and High Gain inputs * Treble, Bass and Volume controls * Effects loop * Slave output * Brass-eyelet board preamp section * Metal chassis and housing * Point-to-point power section * Custom-wound transformers * Weight Packed: 17.02 lb(7.72 kg) * Width Packed: 11(27.94 cm) * Height Packed: 19(48.26 cm) * Depth Packed: 10.75(27.305 cm) —----------------------------------------------- Ghost Fire Guitar Pedal Board (20 x 12) - $40 —----------------------------------------------- Good value board, $50 new + shipping and tax and all that, this hasnt been used. Aluminum Alloy Effect Pedalboard with Carry Bag F-STANDARD1.5 - 19.6inx11.8in can accommodate 8-12 effects pedals, and has a large bottom space. Comes with a carrying case SOLD - Reverend Guitars Pete Anderson Eastsider T Telecaster Green Sparkle (2019) w/case - $1050 SOLD - Epiphone by Gibson Les Paul Special 2006 TV Yellow - Made In Japan - $900 SOLD - ESP LTD George Lynch Signature GL-256 - Distressed 2-tone Burst - $550 SOLD - Fender MIJ FujiGen Telecaster (1986) w/ Extras - butterscotch - $1100 SOLD - East Amplification Studio 2 Combo - $1050 SOLD - Fender 65 Reissue Deluxe Reverb HANDWIRED By Alessandro - in Blue! With an extra 1x12 - $2250 SOLD - Swart STR Space Tone Reverb Tweed Combo - $1450 SOLD - Fractal FX-8 Multi Effects SOLD - Fractal FM-3 SOLD - Pigtronix Philosophers Rock (Distortion) SOLD - Pigtronix PolySaturator (Distortion) SOLD - Kemper Profiler Player - New in Box SOLD - Strymon OJAI Power Supply (the best for pedalboards! look it up) SOLD - Diamond Tremolo w/ tap tempo (arguably the best tremolo pedal ever) - $150 SOLD - Hotone - min wah/volume SOLD - Korg- PadKontrol - MIDI Studio Controller SOLD - TC Electronic - Polytune SOLD - Diamond Tremolo (the origiinal, and arguably the best, with tap tempo) Pedals/FX etc: SOLD - Piedmont Custom Electronics - Aluminum Falcon III (High End Klon Centaur copy) - 80 SOLD - Jim Dunlop - Volume Pedal SOLD - Fractal - Expression Pedal SOLD - (2) Fender Telecaster Thinline Bodies - Sparkle Red and Sparkle Purple

rare hand-built vintage 12-string guitar full & beautiful sounding 12 brand new Martin guitar strings just installed on August 15, 2026 Fenix model # D12-SR by Young Chang rare find! hand made in South Korea at a Fender guitar factory beautiful hand-made guitar faux abalone fretboard marker inlays, rosette around the sound hole & faux abalone border around the top $300 please call or text.

Since 1920, Lindeblad has been a cornerst 1 in the world of music, specializing in Steinway pianos. Our legacy is built on trust and expertise, with a clientele that includes professional concert pianists and renowned music stars. Our team, boasting over 350 years of combined restoration experience, is dedicated to delivering the highest standard in Steinway pianos. Browse our Steinways for sale with photos and videos here - https://www.lindebladpiano.com/pianos/steinway/ Why Choose Lindeblad? Trusted by the Best: Were the go-to for prestigious institutions like the Cleveland Institute of Music, Stanford University, Rockefeller University, and many more. Advanced Technology: Our Steinways come with optional player systems, including the cutting-edge Spirio player system. Peace of Mind Guarantee -30-day m 1 y-back guarantee. -Warranties ranging from 5 to 20 years. -Lifetime trade-in option. -Complimentary delivery across the contiguous US. -Free post-delivery tuning. Discover Your Dream Steinway Explore our online inventory, complete with photos and videos, to find your perfect Steinway: Lindeblads Steinway Collection. Informed Decisions Made Easy Our Steinway Buying Guide demystifies the process, ensuring a confident and informed purchase: https://www.lindebladpiano.com/learn/steinway-piano-buyers-guide/ Hear From the Masters Experience the excellence of Steinway through testimonials from Grammy winners and piano aficionados: https://www.lindebladpiano.com/learn/steinway-video-testimonials/ Flexible Financing With options starting at 0 for 12 months, extending up to 120 months, owning a Steinway has never been more accessible. Lindeblad Piano Restoration www.lindebladpiano.com 888-587-4266 Your musical legacy awaits with Lindeblad. Let us guide you to the perfect Steinway.

Selling my 16 space custom audio rack w/ 3x 48 point Neutrix TRS Patchbays & desk. All parchbays are In perfect condition & basically brand new. I labeled the Patchbays then switched my setup to a TT patchbay. Killer desk for upfront rack gear / computer station. $350

Hello, for sale is a 1980 Ibanez Artist AR200 solid body electric guitar, in used but very good condition, with its original hardshell case. The AR200 is an Artist series solid body electric guitar model introduced by Ibanez in 1979. It was made in Japan by FujiGen and replaced the 24-fret 2618. The AR200 was discontinued after 1980, and came in this finish and in black. The AR200 features an arched maple top on a double-cutaway mahogany body mated to a set-in three-piece maple neck with a 22-fret ebony fingerboard with binding and abalone dot position markers. Components include dual Ibanez Super 80 humbucking pickups mounted in creme pickup rings with individual volume and tone controls and a Tri-sound switch, a Gibraltar Tune-O-Matic style bridge and Quik Change tailpiece with an ornamental scalloped plate, rubberized Sure Grip control knobs and VelveTune machine heads. Key specs: Scale length: 24.75 Frets: 22 Neck: maple Fretboard: ebony Case: original hardshell Pickups: Ibanez Super 80 humbuckers, brass-covered Thanks for looking! Will meet locally.

Selling one 1961 Fender Stratocaster w/OHSC. 100% original Monster axe. Serious inquiries only. No tire-kickers or dreamers. Can be seen at Musical Instrument Service Center in Boston near Berklee. While I have your attention, Virtually all of OUR gear is now almost worthless. This is a post to RANT, and maybe help clear out some of the detritus thats clogging up Cs L. Another day, another boomer retiring from performing music and dumping their motley collection on Cs L. Apparently not many of you have received the memo: Bar gigs and hence bar bands are HISTORY, and never coming back. The mating game has gone elsewhere, the next generation has no interest in becoming proficient on an instrument (remember Rock Band and Guitar Hero?), since they didnt grow up to the soundtrack of great bands like us boomers. They got boybands and rap in the 2000s. Name one band thats in the national consciousness these days/making hit records....The pandemic instrument sales boom turned out to be a bust as most found out becoming proficient on an instrument takes a lot more time, effort and perseverance than most are willing to commit. So, all of OUR used gear is now virtually worthless. There is simply zero demand for anything but the most desirable of vintage instruments, and even they have a very small pool of interested buyers, basically guys with great day jobs who still happen to have a band to play or at least practice with and for. All of your middle of the road, used, non-collectable pieces are NOT going to sell for anything more than bargain-basement prices IF YOURE LUCKY. Ive watched some of you relist the same pieces for YEARS now, and Ill bet you havent even got one serious offer for any of it (Im looking at you Derry NH and Lowell). Do you really think that your gear will become more desirable in the future? Give me one scenario where demand goes up for live music- maybe alien overlords outlaw the internet and smart phones? Bar bands are gone forever, and with it, demand for musical gear. Guitar Center will go out of business within the next few years, podcasting and other content-creation gear is the only thing keeping them afloat for now. My advice? Stop clogging up Craigs List, sell the gear for whatever you can, and move on with your life. Heres a concept for you: TRY LOWERING YOUR PRICE INCREMENTALLY TILL IT SELLS. I guarantee you whatever price you get for your crap, you will not regret the amount you received or cashing out while you still can. Be grateful we got to gig as much as we did back in the day. Live music had a great run of 40-50 years or so. It was fun while it lasted, but it is truly OVER! Update 8/26 Perhaps some additional clarification is warranted... 1)I am an ex-full time musician/bandleader who worked over 150-200 nights a year from the early 1990s through around 2008 My band and most like it regularly got paid as much as $800-1000 a night (in 1990 dollars) in clubs and played to full houses, no promotion on the part of the band needed. Gigs these days are lucky to pay $300-400 with the onus of bringing in a crowd resting solely on the band, 2)I had a collection of roughly 50-80 vintage Fender guitars and basses. Most are sold already. For a while I regretted selling some of them for what I received, but now in retrospect, Im grateful I sold most of them for what I did when I did. 3)The purpose of the above rant was NOT to shit on run-of-the-mill used instrument, but to help sellers realize there is a reason why NONE of the gear is selling these days. Some people, esp musicians, have a hard time seeing the big picture...If you doubt this, pick a desirable piece thats listed on Cs L now. Bookmark it; then check back in a month or three- it will still be there. 4)The reason I posted the rant on Cs L is because its a great barometer for the health of the music community. There are many great, desirable pieces available that would have sold quickly back when there was a viable live music scene, yet NONE of them are selling unless the seller is realistic about his pricing. HINT: If you havent got ONE SINGLE reasonable offer on your item (and youre serious about selling), by definition, YOUVE PRICED IT TOO HIGH. 5)Case in point: I recently sold two vintage pieces on Cs L, a 1966 Fender Precision Bass in LPB, and a Fender Profession 300 bass amp. I started the bass listing at $15K, but kept reducing the price until it finally sold at $10K. The amp started at $1300 and sold for $800. To my point- if you truly want to sell your gear in this market, you need to list and sell it at a price someones willing to pay. Relisting your item for YEARS at the same price is not going to get it done, yet so many of you continue to do so. To my question above- what do you think is going to change in the future to make your used gear more desirable? 6)Take Allston, Ma for example. Up until around 2005, there were 7 live music clubs in operation (OBriens, Kinvara, Common Ground, Kells, Harpers Ferry, Great Scotts, and even the Silhouette and the Sunset Grill often had small ensembles) on any weekend night paying their bands $500-1000 a night in 1990s dollars. Now theres only one, OBriens, paying four bands an average of what, $25-50 a set? 7)There used to be three or four rehearsal complexes in the area, often with a waiting list or bands sharing rooms. Now? Crickets.... As far as the next generation being more proficient, thats a joke. Seeing one or two basement-dwelling loners on Youtube etc who have taken advantage of the vast amounts of educational material on the web does not constitute a talented generation. Back in the day, a sizeable portion of the music community was in GIGGING bands. Now all you have is a bunch of loner hobbyists and content-creators wanking in front of their computer screen, until they finally get a good take that they can post. Berklee is propped up largely on the high percentage of rich foreign students paying close to full boat for tuition. Take them away, and the program collapses. When students realize that their music career will subsist of mostly creating content for Youtube and Instagram, the idea paying for an education becomes much less appealing. The Boston Globe recently published an article about the respective returns on investment in a wide range of college degrees. Berklee had a NEGATIVE return on all but one degree path, probably education or behind the scenes content production, certainly NOT performance. It used to be you could find underpriced gear on Ebay, Cs L etc. Now 99% of the gear is over-priced. There are some pieces I would still buy today if the sellers would price according to demand. PS To those of you who still own a few or more high-end vintage pieces like Strats, Teles etc. be aware that there is a serious correction in market value happening as we speak. The reason? All the boomers who collected these pieces are 60+ years old and are going to be unloading them in the next five years (or their heirs will be fire-selling them while Granddad is still warm in the box), creating a huge increase in SUPPLY. Combine this with the BOTTOMING OUT OF DEMAND and you have the perfect recipe for a market crash. Again, in retrospect Im glad I sold most of my collection over the last decade for whatever I got for it. Dont say I didnt warn you- sell now for what you can. Most younger players wouldnt know a vintage Fender from a seven-string Ibanez these days; they certainly arent going to be ponying up $30K down the road for a vintage Strat that has no cultural context for them.

This compact and lightweight keyboard is in excellent condition with all keys and buttons working perfectly. It comes with a soft case and power cord and can also take 6 AA batteries. Here is a demo I made for this keyboard on YouTube: https://www.youtube.com/watch?v=wk3PiQyB_d0 Located in Paris Crossing, IN. Cash only please. Please text, call, or email. Will remove ad when its gone. Has 400 tones, 77 rhythms, 60 songs, 10 types of reverb, and many more features. USB port connects to any Mac/PC/iOS/Android devices.

The Roland RD-700 SX is a professional 88-key Digital Stage Piano. Works and looks good. If this listing is still up, the item is still available. You need not to ask me whether it is available or not. 415-531-2917

I have several Yamaha Trumpets for sale For Sale. They are fresh out of the repair shop, where they were dissembled cleaned, reassembled with fresh synthetic oil and adjusted to play like new. Here is what I have. All prices include the instrument cost and the repair costs. Yamaha YTR-200 ADII Serial # U 65095 Fantastic Condition --- $750.00 Comes 11 B 4 mouthpiece, valve oil, a cleaning brush, slide grease, and a Bach straight mute. Yamaha YTR255-355-6158 Excellent Condition ---- $699.00 comes with a 7 C mouthpiece, a cleaning cloth. Yamaha YTR-2553705792 Fantastic Condition --- $725.00 includes a 7 C mouthpiece, a cleaning cloth, & Humes and Berg Metal Mute Yamaha student trumpets are 1 of the top-rated student trumpets by music teachers and band directors. They come in the original Yamaha case, which are also in excellent condition. They also come with a mouthpiece, and some have Valve oil, and Slide grease, and 2 have mutes included. If you see this listing, it is still available. Please no trades or low-ball offers, price is firm. This is a private sale. Cash is preferred, but I also take Venmo, Zelle, or .PayPal.

Very high quality guitar hand made in Mexico in 1989. Beautiful woods and sound. Top is solid cedar. Not many flaw’s considering it’s 37 years old. Has a faux alligator case whose handle needs replaced. Call Kenny @ eight one 7 * seven one four 4 seven ** zero five. Only very specific texts will be replied to, but preferably call. $260 cash. Thanks for looking and have a peaceful week!

Custom/Hybrid Strat Body, Relic, Black: New USA Alder body by USA Custom Guitars Black nitrocellulose paint, heavily worn and checked finish Copper foil clad pickup and control cavities to reduce EMI 2-3/16 neck pocket 4.2lb weight Professionally painted, domestically sourced bodies as this retail for well over $200 unfinished.

Hagstrom Tremar Viking Deluxe Semi-Hollow Guitar, Black w/ohsc $499.00 The guitar plays very well and sounds awesome. The action is low and smooth. It is a used guitar, so it does have dings and scratches in various places. The guitar finish is high-gloss black, the hardware is chrome, and the original hard shell case is included. The guitar is in excellent/near mint condition. $499.00 Cash is preferred. Face to face meet at a common public place most anywhere in the Nashville area. Trades considered. Call or text. 6won5-two9for-0wonwon0 - Leave a message if I cannot answer. Below is from the internet: Hagstrom Tremar Viking Deluxe Semi-Hollow Electric Guitar Black Finish with Tremolo Features: * Body: Semi-Hollow Contoured Ply Maple * Neck: Canadian Hard Maple, set * Fingerboard: Resinator Fretboard with Hagstrom Pearloid Block Position Marks * Fretboard Radius: 15 * Trussrod: H-Expander * Tuning Keys: Hagstrom 18:1 Die Cast * Scale Length: 24.75 / 628mm * Nut: Graph Tech Black Tusq XL 43mm nut * Pickups: 2 x Hagstrom HJ-50 * Pickup Selector: 3-Way Toggle Switch * Vibrato: Hagstrom Tremar System * Controls: 2 x Volume, 2 x Tone

Text me at 312-231-1179

Bought this on a whim but have NEVER used it. Still in the original box and NEVER turned on. Check out the specs on line for more information. Made in England. Basically a Marshall clone. I only want to get it out of the house at this point. One thing I did fix was to put a new tab pull on the case zipper. Thats it! I hate to let this go as I am an amp fan and this one has some innovative features. Price is firm. No trades - Priced less than I paid. Can ship but please note that the box/unit is heavy/large and cant quote a price until I know your location. I accept Cash, Check (subject to clearing), Money Order, Cashiers Check, and Zelle - No Paypal. No Tire Kickers! NO TRADES!

Blueridge BR-260 Prewar Series. High grade Adirondack top, Rosewood back and sides, no fretwear, ebony 1-3/4 fret board at the bone nut, bone saddle, ebony bridge and bridge pins with maple bridge-plate (upgraded ebony bridge pins with abalone dots). They come installed with light gauge DAddario EJ16 12-53 strings. Comfortable even C mahogany neck with vintage fretboard inlays. Ideal neck set, low action with plenty of saddle extension. Great guitar, a real cannon with crisp woody deep tone. After having this for about a year I sold my older Brazilian Rosewood Blueridge BR260, side by side I preferred this. The ProTour BV-2510 Deluxe Gig Bag is high quality case with plenty of cushion padding and a thicker outer layer. Both guitar and case still in condition as purchased new. Blueridges Description: Blueridge BR-260 Prewar Series Dreadnought Acoustic Guitar The Blueridge BR-260 gives you a taste of golden-era guitar tone and aesthetics without the vintage price tag. Handcrafted with premium tonewoods, this dreadnought acoustic produces a bold, balanced sound with shimmering highs and a focused low end. The scalloped X-bracing opens up the responsive spruce top, projecting your playing to the back of the room. Youll appreciate the fast, slim mahogany neck and ebony fingerboard, which provide a comfortable playing experience. Visually, the herringbone marquetry rosette, tortoiseshell pickguard and snowflake position markers recall the elegance of prewar guitars. For discerning players seeking an affordable, professional-grade acoustic with vintage-inspired looks and sound, the Blueridge BR-260 delivers. Features and Specifications: Solid Adirondack spruce top, solid rosewood back and sides Scalloped X-bracing, Slim mahogany neck, ebony fingerboard, 1.75 nut width Specifications: BodyShape: Dreadnought Top: Premium solid Adirondack spruce Bracing pattern: Scalloped Back and Sides: Select solid East Indian rosewood Finish: Natural high gloss with aging toner Neck Material: Select mahogany Truss rod: Adjustable Fingerboard Material: Ebony Inlays: Snowflake position markers Nut material: Natural bone Nut width: 1.75 Bridge: Ebony Bridge pins: (upgraded) Ebony with Abalone dots Bridge plate: Maple Trim: Herringbone marquetry Pickguard: Tortoise style ProTour BV-2510 Deluxe Gig Bag

I have a nice collection of a dozen vintage Harmonicas, all in good condition, all with original boxes. $575. for all, call Gene 631-379-0205

Brothers selling his older rare Jeff Beck blacklight poster. Poster hung on the wall for years has some imperfection. Call or text us at 713-540-6978 for details. Thank you

Friedman Vintage T with OHSC and COA from the Grover Jackson era of collaboration with Dave Friedman. No longer made. I would call this guitar “mint” but it has a light factory relic. Friedman guitars are usually pretty heavily reliced but this one is light and very tastefully, well done. Let’s just say, I haven’t added to the relic. This Tele style guitar has excellent tone with the Friedman p-90s. Super playable. Just an all around great guitar. Thx Cash and in person pickup. Thanks Boutique, Fender, telecaster, Suhr,, Thinline, Gibson, Marshall, Anderson, Grosh, K-line, Vox, Carr

Selling my Zoom A2 Acoustic Effect Pedal. This is in very good condition, and will include a power supply. This is great to use with your acoustic guitar. This is in perfect working condition. Selling for 75.00 cash, or best reasonable cash offer. Interested? Please send an email with a valid local phone number. I will only meet in a public place in Sidney, Troy, Covington, or Piqua Ohio. Here is some info on this pedal. The Zoom A2 series incorporates 24-bit/96 kHz sampling and sophisticated sound modeling technology to process the line signal from the pickup, adding a lush body tone and the spatial ambience that is created by mic recording. Even when playing through an amplifier or PA speaker, the resonance of the guitar body is restored, allowing the natural acoustic sound to shine through. The new ZOOM ZFX-3 32-bit DSP chip The heart of any multi-effect device is its processor and decoder section. ZOOM has attained a new level with the ZFX-3 chip. 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Fine nuances of fingering and touch come through without any deterioration, thanks to this incredibly powerful DSP. Select optimum characteristics to match pickup and amp model The GLOBAL module that controls settings for the entire unit combines a pair of parameters called AMP SELECT and PICKUP SELECT. These let you optimize frequency response for the type of pickup and amp that you are using. Whether recording or live on stage, you can always get just the right acoustic sound. AMP SELECT: Choose from three settings (combo, bright combo, stack) and eliminate the excessive treble that can ruin the sound when playing an acoustic guitar through an amp. PICK UP SELECT: Besides piezo and magnetic for acoustic guitars, electric guitar pickup settings such as single-coil and humbucker settings are available, allowing you to use the unit as an acoustic guitar simulator.

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